Από το Ωδείο Bard: Ο Μπέντζαμιν Χόχμαν υποδύεται τον Μπαχ και τον Μπετόβεν

Του Sean Hendrickson

I want to preface this review by saying that I do not have any experience with piano, nor classical music in general. το κάνω, ωστόσο, μελέτη μουσικής ηχογράφησης και παραγωγής της, so I will do my best to build my opinion based on those two facts.
Μπέντζαμιν Χόχμαν was born in Jerusalem in 1980, and began launching his music career by studying piano at the Conservatory of the Rubin Academy in Jerusalem. Έκτοτε, he continues to play, compose and serve as a faculty member at the Bard College Conservatory of Music. I believe this is an important context for assessing his playing of Bach’s piece and the value of it.

Multiple cameras, high quality recording equipment, and an expressive musician come together in this nearly thirty-minute piece. Arpeggiated fluttery melodies, raised eyebrows, low octave chords, seat swaying, motifs leaving only to return again. I may not study classical music, but these are surely the hallmarks of an impressive performance.

Though not expressly educational in the sense most may consider, taking into context his position at the Bard College Conservatory of Music, I think both this performance and his career are a shining example of the potential of non-STEM pursuits. As someone who works with music on a daily basis, this is one of many moments that remind me of its importance.

Θα το βαθμολογούσα αυτό 5 έξω από 5 αστέρια.

Φοιτητής και καλλιτέχνης που ζει στον βορειοδυτικό Ειρηνικό με έμφαση στην παραγωγή ήχου/μουσικής και ένα πάθος για τον εκσυγχρονισμό του τρόπου ζωής μας.

Συγγραφέας: C. M. Rubin

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