ショーン・ヘンドリクソン
I will preface this review by acknowledging my lack of experience playing live music, そして私のクラシック音楽の才能はせいぜい不安定です. しかしながら, 私は大学でオーディオレコーディングと音楽制作を学びました, したがって、少なくともオーディオ品質を正確に評価できます.
吟遊詩人音楽院のパフォーマンスと同様に、, the audio in 教員コンサート: ブラームス・トリオ was pristine. The space was minimal and clean with only a few small visible microphones, which in my experience made the visuals quite satisfying, especially with the multiple camera cuts being used intermittently.
My personal favorite moment occurred around 14:38 when the energy drops and leaves the piano and cello to ebb and flow off each other. Benjamin Hochman is a wonderful pianist, and his control of force on the keys is truly impressive. It’s a pleasure to review another performance of his.
When the energy returns, watching the stringed instruments being played at such intense speed and precision is enthralling. You don’t need to read or write music to get a taste of just how complex the stringwork is on this piece.
As always, the Bard Conservatory placed monumental talent in a room and the outcome speaks for itself. Classical music has spanned and been celebrated for generations, and the faculty’s efforts in these performances continue that legacy honorably.
I would give this performance 5/5 出演者.
太平洋岸北西部に住む学生とアーティスト。オーディオ/音楽制作に重点を置き、私たちの生活を近代化することに情熱を注いでいます。.
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