“This is an incredibly tough time for the film industry and it will get worse before it gets better.” – 翠西亞·塔特爾（Tricia Tuttle）
白人可能仍然是大預算商業電影的關鍵決策者和看門人, 但是如果您想對電影節和電影節的未來做出預測, glass ceiling disrupter and BFI London Film Festival Director Tricia Tuttle is someone you should ask.
“People will return when it feels safe to go back to live events and entertainment.” – 翠西亞·塔特爾（Tricia Tuttle）
冠狀病毒的爆發中斷了世界各地的電影製作以及重大電影和娛樂活動, 從大型工作室的戲劇發行到電影節.
“This is an incredibly tough time for the film industry and it will get worse before it gets better,” says Tuttle. For those movie fanatics among us who believe the collective, big screen experience is irreplaceable, that’s incredibly depressing news. But Tuttle believes ultimately going to the movies will survive. “People will return when it feels safe to go back to live events and entertainment.” In the meantime, how will trusted movie marketing gateways such as film festivals sustain their relevance and survive? “Festivals will not lose their relevance but we will have to adapt to new ways of working and better ways to support producers,” says Tuttle.
“Festivals will not lose their relevance but we will have to adapt to new ways of working and better ways to support producers.” – 翠西亞·塔特爾（Tricia Tuttle）
Audiences want to see more movies than the limited number distributed through traditional channels and they don’t want to wait. This week, international film festivals have joined forces with YouTube in an unprecedented event, We are One: 全球電影節. Many of the biggest and most respected festivals from around the world will provide curated movie programming for audiences to screen for free in a ten-day long event. The digital film festival is raising funds for local communities affected by the COVID-19 pandemic as well as the World Health Organization.
Are digital film festivals the beginning of a new norm until Coronavirus is over? Tuttle has 4 predictions for the future of film and film festivals:
1. More experimentation in partnerships between indie distributors and exhibitors.
2. Increasingly cautious distributor spending on theatrical campaigns, more innovation.
3. Greater partnership working between film festivals.
4. We will see innovation and experimentation on Virtual Festival models (digital screening elements added to film festivals in addition to live).
“We will see innovation and experimentation on Virtual Festival models – digital screening elements added to film festivals in addition to live.” – 翠西亞·塔特爾（Tricia Tuttle）
BFI will be presenting a number of films in the 我們是一個: Global Festival, including the recently restored Shiraz 和 The Epic of Everest, complete with richly evocative, newly commissioned scores from contemporary musicians – Anoushka Shankar and Simon Fisher Turner. The Festival will also present Rudeboy, a documentary about the UK’s Trojan Records, the record label behind many 1960’s reggae, ska and rocksteady hits from Desmond Dekker to The Maytals.
“In these challenging times, there are many people struggling and 我們是一個 is an opportunity for us to come together through our love of film, art and music to reach out and support each other,” says Tuttle.
A Global Film Festival runs exclusively on YouTube May 29 – 六月 7 在 YouTube.com/WeAreOne.
C.M. Rubin with Tricia Tuttle
感謝您對我們的 800 加 全球貢獻者, 藝術家, 教師, 企業家, 研究人員, 企業領導, 從每個域對學習的未來與您分享觀點的學生和思想領袖 全球搜索教育 每月.
ç. M. 魯賓 (凱茜) 是CMRubinWorld的創始人, an online publishing company focused on the future of global learning, 和行星課堂的聯合創始人. She is the author of three best-selling books and two widely read online series. 魯賓收到 3 厄普頓·辛克萊獎“全球搜索教育。”該系列, which advocates for Youth, 在推出 2010 and brings together distinguished thought leaders from around the world to explore the key education issues faced by nations.
按照ç. M. 魯賓在Twitter: www.twitter.com/@cmrubinworld
最新評論