Von Sean Hendrickson
I’d like to preface this review by saying that I am not a musician, und ich weiß nicht viel über klassische Musik. Ich tue, jedoch, Studieren Sie Musikaufnahmen und deren Produktion, Deshalb werde ich mein Bestes tun, um meine Meinung darauf aufzubauen.
In Bard Conservatory of Music’s Bach, Beethoven, Hindemith, und Vieuxtemps: Bratschensolo und Streichquartett, Eric Lin’s viola meanders through all these great composers seemingly with ease, and I found myself thoroughly impressed for its entire duration. His performance is full of visible and audible precision built off a lifetime of practice.
After being joined by violinists Yangxin Song and Junyu Lin, along with Raman Ramakrishnan on cello, the sheer amount of talent on stage is truly a spectacle, and the additional strings are a nice change of pace in a relatively long composition.
This is the 2nd Bard Conservatory performance I’ve had the pleasure of reviewing, and seeing a young group of people perfect their craft and honor art passed down for generations is inspiring and touching.
These pieces and their performances are a testament to the importance of creative pursuit and all education associated with it.
Ich würde das bewerten 5/5 Sterne
Student und Künstler, der im pazifischen Nordwesten lebt, mit Schwerpunkt auf Audio-/Musikproduktion und einer Leidenschaft für die Modernisierung unserer Lebensweise.
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